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5 Clave Variations: How The Clave is Used in Afro-Cuban Music and Beyond

5 Clave Variations: How The Clave is Used in Afro-Cuban Music and Beyond

The clave is one of the most important rhythms in modern music—and while it’s rooted in Afro-Cuban and Latin American music traditions, its influence is felt in pop, hip-hop and beyond.

That’s why learning about the music theory behind the clave, its variations and how modern producers use claves to add addictive rhythms to their music is super useful.

In this article, we’ll explore everything you need to know about the clave rhythm—its origins and the instruments that traditionally were used to play these rhythms.



We’ll also explore the son, bossa nova and rumba variations of the clave and we’ll look at some examples of how claves are used in modern pop music.

Ready to master the clave? Let’s dive in!

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What is a clave?

The clave—pronounced clah-vé—is the underlying rhythm pattern used in Afro-Cuban and Latin American music—it is used particularly in mambo, salsa, Brazilian bossa-nova music and other forms of Latin jazz.

Since the clave serves as a tool for rhythmic organization in traditional Afro-Cuban music, the clave rhythm is usually played throughout a song with minimal variation.

Clave is the Spanish word for clef or key—hinting at the importance of rhythm in these genres.

What instrument is a clave played on?

Traditionally the clave is played by a percussionist on… the clave—a specific percussion instrument made from two round dowels of wood that are hollowed out to create a high-pitched clicking sound.

However, the clave of course is not limited to being played on the wooden clave instrument.

Drummers will use a cross-stick on the snare drum to recreate the wooden click of claves.

For example, drummers will use a cross-stick on the snare drum to recreate the wooden click of claves.

You’ll also hear it played on cowbell and woodblocks or even simply clapped out in many Afro-Cuban tunes.

The clave isn’t solely played by percussionists either—bassists and pianists will often center their ostinatos around the clave’s rhythm.

The percussionist may be the primary instrumentalist playing the clave, but in reality, everyone plays to the clave—since in Latin music it represents the center of rhythm.

Types of clave

There’s many variations of the clave in Latin music since different genres will demand different claves.

In general, one repetition of a clave rhythm will take up one bar of 4/4 music and revolve around a complete 3:2 or 2:3 rhythmic ratio.

If you don’t know much about rhythmic ratios you might want to brush on your polyrhythm and polymeter theory.

But to explain rhythm ratios as simply as possible—the first half of the 4/4 bar in a 3:2 clave will have three beats played over two quarter notes with two beats played over the remaining two quarter notes in the second half.

Really, the best way to understand claves is to see, hear and play them yourself, so let’s explore the five most popular clave variations.

1. The son clave

The son clave is the most common clave, it’s used extensively in mambo, salsa and other styles of Latin jazz.

Here’s what a 3:2 son clave looks and sounds like.

 

son clave - TechnoSoundz - News from Around the Underground

Notice how in the 3:2 version, this third note is an eighth note played on the “and” of two.

This placement of the third note is what makes this clave a son clave instead of the nearly identical cousin the rumba clave.

To create a 2:3 version of any clave you just reverse the rhythm.

To create a 2:3 version of this clave you would reverse the rhythm, starting with the group of two and following with the group of three.

This Tito Puente track “Salsa Y Sabor” authentically uses the son clave throughout.

Let’s look at the rumba clave next.

2. The rumba clave

The rumba clave is the less common cousin of the son clave, you’ll hear it used as a variation to the sol clave in Afro-Cuban music—especially in rumba music itself.

Here’s what a 3:2 rumba clave looks and sounds like.

 

rumba clave - TechnoSoundz - News from Around the Underground

Take a look at the placement of the third note in the 3:2 version of the clave. Instead of being played on the “and” of two, it’s instead delayed by one-sixteenth note written on the “a” of two.

Like the son clave, to get a 2:3 version of this clave you reverse the pattern.

If you want to play this clave pattern you’ll definitely need to brush up on your syncopation chops, since the added sixteenth note is a very small difference that can be hard to feel.

Here’s an example of a track using the rumba clave.

3. The standard bell pattern

The standard bell pattern combines elements of both clave patterns and it’s used extensively in afro-cuban, latin music and even Brazilian samba music so we’ll group it in with them.

But, unlike the rumba and sol claves, it doesn’t alternate between rhythmic ratios and it’s typically played on a cowbell or the bell of a drummer’s ride cymbal.

Here’s what the standard bell pattern looks and sounds like.

 

standard bell pattern - TechnoSoundz - News from Around the Underground

Carlos Antonio Jobim’s famous tune “Wave” oscillates between the bell pattern and the bossa nova clave, for example.

4. The bossa nova clave

Since we touched on Brazillian music with the bell pattern, it seems appropriate to mention on the most famous claves out there—the bossa nova clave.

This variation of the Son clave is heavily used in bossa nova music from Brazil, here’s what it looks and sounds like.

 

bossa nova clave - TechnoSoundz - News from Around the Underground

Notice how it’s identical to the Son clave, except for its last note which is played as a delayed eighth note on the “and” of four—instead of as a quarter note landing squarely on the count of four.

Here’s a classic example from the great bossa nova artist Carlos Antonio Jobim with “Desafinado”.

5. The tresillo

The tresillo rhythm uses the first three notes of a 3:2 clave and is considered to be an incomplete rhythm since it only uses half a clave and has no rhythmic cadence.

Here’s an example of how a tresillo looks and sounds.

 

tresillo - TechnoSoundz - News from Around the Underground

This incompleteness makes the tresillo an excellent rhythm for building tension—which is why you’ll hear it used often in pop and EDM build-ups as well as reggaeton music.

The tresillo is often used often in pop and EDM build-ups as well as reggaeton music.

Here’s an example of a tresillo being used prominently and the main rhythm in Ed Sheeran’s “Shape of You”.

Specifically, the dem-bow beat used in reggaeton is directly inspired by the basic clave pattern and of course the tresillo being the rhythmic basis for so much pop music.

@landrmusic Can you feel the beat? #learnontiktok #learnwithme #drummertok #drummersoftiktok #songfacts #whatdoesitmean #reggaeton #rnbvibes ♬ original sound – LANDR

There’s no one way to clave

If you’ve been paying attention, it’s clear that claves aren’t exclusively used in Afro-Cuban music—these rhythms are used everywhere and have even inspired entire genres.

So don’t be afraid to take inspiration from the clave and use it in your own music.

Follow a clave pattern in your bass parts, or use it on the keys or as a way to create and ease tension. These tricks are go-to’s for so many producers out there.

And remember, you don’t necessarily have to follow any rules with your clave patterns, there’s nothing wrong with switching up a classic clave pattern to make a new rhythmic centre.

In fact, now that you know what to listen for, you’ll probably hear variations on clave patterns in a lot of different music.

So, practice clapping out clave patterns on your own, learn to identify them in the music you hear and have fun experimenting with them in your own creations!

Did enjoy learning about claves? We’re constantly putting out new articles about music theory so if you want to keep learning share your email and get new ideas, theory lessons and music production tutorials delivered to your inbox every week!

The post 5 Clave Variations: How The Clave is Used in Afro-Cuban Music and Beyond appeared first on LANDR Blog.

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